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This issue explores the relationship the Surrealist authors André Breton and Paul Eluard had with religion, particularly with Catholicism. It approaches the subject using the book The Immaculate Conception (1930), questioning the authors’ anti-religious orientation through a series of handmade collages.

Dimensions: 29.7 x 21 cm, 24pp.
Numbered edition of 100. Sold Out.